JERI in Yaletown

by

JERI by James Stewart We wear our past and it is the basis of our interpretation of the world. “Jeri’s” surface has been heavily abstracted in such a way to emote symbols in the same way you read faces and animals in cloud formations. Stepping away from the figure reveals our struggle captured in the moment. As Henry Moore said: “In the human figure one can express more completely one’s feelings about the world than in any other way.”

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